Window Dressing: Spectacular Costuming in MTV’s THE CITY

I was just getting back into the blogging habit after my end of the semester/holiday sabbatical when, wouldn’t you know it, I gave birth. Right now my days are consumed with feedings, diaper changes, multiple loads of laundry and assuring the 3-year-old that despite all evidence to the contrary, she is still the center of the universe. Blogging is currently not a possibility.

The new pet human

However, I did finish up an article in early January which has just been published at Flow TV , the online journal of television and media studies. So this makes me feel like I’m still blogging even though all I’m doing is wiping poop off of my pet human’s rear end, which is more delightful than it sounds, I assure you. So until I am able to resume a more regular blogging schedule (i.e., when the pet human agrees to sleep for than 1 to 2 hours at a stretch), all I have to offer you is this article on MTV’s The City, “Window Dressing: Spectacular Costuming in MTV’s The City. Please feel free to leave a comment in the comment section and get some dialogue going. Also, big shout out to Devan Goldstein, who came up with the title for this piece. Thanks Devan!

I should add that the current issue of FlowTV is filled with lots of interesting articles — while you’re there, check ‘em out!

BET’s BALDWIN HILLS: Injecting Race and Class into the Projective Drama

For those of you who are regular readers of this blog (hi Mom!), you may have noticed that my posting has dropped somewhat over the last few weeks. This is due to the mid-semester crunch as well as some other writing deadlines I had to meet.

Picture 1

One of these deadlines was for the wonderful site Flow TV, “a critical forum on television and media culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where the public can discuss the changing landscape of contemporary media.”

bh

If you’d like to read my article on BET’s reality show, Baldwin Hills, it went live today and can be accessed through the link below:

BET’s Baldwin Hills: Injecting Race and Class into the Projective Drama

 

 

An Open Letter to MTV from Lauren Conrad

Me at my best.

Me at my best.

Hi MTV.

It’s me, Lauren Conrad. MTV, we really need to talk.

MTV, we’ve had some good times together. Remember Laguna Beach? Remember how I pined and cried over silly old Stephen Colletti? That was before he started dating that midget from the acne commercials and that nerd show that nobody watches anymore. Then he got dumped and that was awesome. But I digress…

MTV, I was so good at crying about Stephen that you gave me my own show. You even let me change my name from “L.C.” to “Lauren.” Then you scored me a sweet internship at Teen Vogue, even though I was totally incompetent, and paid the rent on an apartment that was too luxe for a young girl just starting out in Los Angeles. Yes, you gave me so many things MTV, and I paid you back. I paid you back with my tears. I cried in taxicabs and I cried on rented yachts. I cried in Les Deux and I cried  in Hyde. I cried in public and I cried in private.

Crying over Jason:

Picture 7

Crying over Heidi:
Picture 6

Heidi again:

Picture 10

Crying over Audrina:
lauren-conrad-crying

F**ing Audrina again:
Picture 5

Crying on my birthday:
Picture 3

Not sure about this one. I think I was just really drunk:
Picture 9

But a girl can’t cry forever, MTV. It was time for me to move on. I had books to write and low end fashion to design.

So when I decided to leave The Hills last spring I thought you guys would do what was right. I thought you would end the show. But not only did you keep the show going, you replaced me (replaced me) with my arch nemesis, my mortal enemy, Kristin Cavallari.

Nothing hurt me more than watching the opening credits to the season 6 premiere of The Hills last week. Instead of seeing me, Lauren Conrad, driving in my convertible with the the California wind blowing through my hair, there was Kristin Cavallari. In my opening credits sequence! That was a real “fuck you” MTV. Don’t you know anything about the girl code? You’re supposed to be my friend, MTV.

Knives...

Knives...

in...

in...

my heart.

my heart.

Watching the first two episodes, it’s like I never even existed. There’s this big Lauren-shaped, tear-free hole in the show and MTV, and no matter how many skanks you hire, you can never fill that emptiness.

Stacie the bartender? Really MTV?

Stacie the bartender? Really MTV?

And to choose Kristin! You think Kristin will give you tears? Kristin can’t cry. And even if she could, she certainly doesn’t wear enough mascara to make her tears nice and black like mine are. Who else is going to give you inky black tears, MTV?

Heed my words, MTV: First Kristin Cavallari came for my opening credits, then she came for Audrina’s motorcycle helmet. Well, MTV, one day Kristin Cavallari is going to come for you. And I won’t shed a single black tear.

Eat your heart out, Kristin.

Eat your heart out, Kristin.

Lauren.

P.S. Look for my new line, L.C. by Lauren Conrad, on sale now at Kohls!!!