I can’t believe it’s been a month since my last post. Please forgive me, readers, and blame my pet humans instead. Both of these humans will be in some form of regular day care starting in August and yes, the thought of putting #2 in daycare does give me the weepies and intermittent panic attacks. However, daycare means that I will be able to return to blogging with some regularity. “Phew!” you must all be thinking, “Thank God she’s coming back!” Well, you’re welcome.
Now on to my post, before #2 wakes up. He has a sixth sense about my productivity. That is, he frowns upon it and likes to disrupt it with all the tricks of his trade: too-short naps, poop bombs, and my personal favorite, big, gummy smiles.
There are several blog-worthy shows currently on the air — True Blood, Top Chef, and soon, July-25th-soon, Mad Men! But I wanted to use this post to write about something that has been percolating in my brain for a few months now: my television pet peeves. As an avid TV watcher, I am pretty adept at suspending my disbelief. I accept that vampires, werewolves, and demons exist when watching shows like True Blood and Buffy the Vampire Slayer. I accept that there is a magic island filled with polar bears and electromagnetic energy when I watch Lost. I even accept that the idea that the teenagers in shows like Gossip Girl drink martinis at hotel bars without getting carded. And I always accept most of those overused TV tropes documented at the great site TV Tropes. But there are a few tropes that I cannot stomach and which force me to yell at the television set every time they occur (which is a lot). I don’t have a good explanation for why these particular violations drive me up the wall, but here they are in no particular order:
1. My Water Just Broke!
Despite the fact that approximately 490,000 babies are born every day, television shows rarely get the details of childbirth right. Most labor scenes begin with a character saying — usually at some inopportune time, like in the middle of a kidnapping (Desperate Housewives), in a stalled elevator (Saved by the Bell) or, in a car during a traffic jam (Blossom) — “My water just broke!” Despite its prevalence on television, most women will go into labor long before their water breaks. This trope sticks in my craw because I believe it does a real disservice to first-time parents, who, despite reading all the books, still don’t recognize that labor has started without the iconic (but relatively rare) rupturing of the membranes. Case in point: when I went into labor with my first child, it took me several hours to convince my husband that I was truly in labor. I kept telling him, rather undramatically, “I think I’m in labor.” And he kept saying things like “Did your water break?” and “The doctor said you wouldn’t have the baby until next week.” and “Let’s watch the end of So You Think You Can Dance.” I did watch So You Think You Can Dance, but I was totally in labor. Had we been trapped in an elevator and had I yelled “My water just broke!” I’ll bet my husband would have believed me. Stupid TV.
2. Where’s the Umbilical Cord?
Giving birth to a baby is an exciting plot event and therefore TV scribes like to stage childbirth in all sorts of wacky places: see # 1. The brave laboring woman will often yell to a scared bystander “Whether you like it or not, this baby is coming NOW!” Or conversely, a brave bystander will yell at the scared laboring woman, “Whether you like it or not, this baby is coming NOW!” Much chaos and sweating and fetching of hot water will then ensue, followed by the birth of the baby, who is immediately placed in her quivering mother’s arms. It is at this point that I yell at the TV “Where’s the umbilical cord? You people need to cut the umbilical cord! That baby’s still attached to the placenta!” I get so agitated by this omission that I can’t fully enjoy the melodrama of the moment. Please writers, next time have someone cut the umbilical cord. That’s all I’m asking.
3. Going to Bed/Waking Up with Lipstick On
On the Glee episode “Home” (2010), April Rhodes (Kristin Chenoweth) must spend the night at Will Schuester’s (Matthew Morrison) apartment. As she slips into bed, singing some song I can’t remember, all I can focus on is her lips. Her shiny, lipsticked lips. I keep thinking about how, the moment she rolls over in bed, that nice white pillow case will be covered in sticky lipstick. Then she’ll roll back and get sticky lipstick in her pretty blonde hair. Gross. No woman goes to bed with lipstick on unless she’s drunk and passes out before getting the opportunity to wipe it off. I hate this TV trope. It drives me up the wall. “Take off your lipstick!” I scream as characters slip beneath their crisp, clean sheets. I understand that TV shows like Glee, Desperate Housewives and Gossip Girl (all prime offenders in this regard) do not aim for realism. But it is possible to make a character look like she isn’t wearing make up and still make her look pretty good. At least take off the shiny lipstick, people. No one goes to bed wearing shiny lipstick. No one.
4. Children who Don’t Resemble their Parents
When two very good-looking humans have sex with each other and make a baby, that baby usually ends up good-looking too (see Shiloh Jolie-Pitt). When a very good-looking human makes a baby with a funny-looking human, the results are less predictable (see Alexa Joel). Thomas Jane and Anne Heche are both very good-looking humans so it stands to reason that their offspring would be hot, or at least, not too shabby. But on the HBO show Hung, the offspring of Ray (Thomas Jane) and Jessica (Anne Heche), played by Sianoa Smit-McPhee and Charlie Saxton, are pretty darn unattractive (sorry, I’m not trying to be bitchy here). My guess is that this is the point of this miscasting — to be funny. Ray lives in a dying city, has a job at a underfunded school, a catty ex-wife, and two sullen Goth teens who failed to inherit his dashing good looks. Hilarious! But I find this visual joke distracting since these children look NOTHING like their parents. It’s just too hard to accept that they’re related. I was also frustrated by the casting on a much better show, Six Feet Under. I love Peter Krause, Michael C. Hall, and Lauren Ambrose, and I can’t imagine any other actors in their roles, but those three look nothing like each other.
5. Teenagers with Too Much Power
This pet peeve dates back to my 90210 days (the original, not the reboot). I was always amazed that Brandon Walsh (Jason Preistly), the student body president of fictional California University, was so important to the university’s daily workings. He was always meeting with the Dean and being asked to join task forces and to advise big university muckety-mucks on major decisions. In the Season 5 episode “Homecoming” (1994), Brandon is pressed to challenge the presence of a visiting dignitary, Quintero, who has been accused of torture. Brandon launches his own investigation into the accusations (conveniently meeting a gardener who was a victim of Quintero’s regime), and serves Quintero a subpoena. Because administering international justice is the responsibility of the student body president. On a related note, I also hate it when teenagers achieve things that it takes adults years of hard work and dilligence to achieve. For example, I scoff everytime a character on Gossip Girl mentions that Dan Humphrey (Penn Badgley) was published in The New Yorker. The odds of getting a story published in The New Yorker is so slim, and yet broody old Dan Humphrey gets his banal work published there.
6. Newborn Babies Who Are Actually 6 Month Olds
I understand why a television show cannot use a newborn baby when portraying the birth of a newborn baby. First, newborns are ugly. They are wrinkly, swollen, and many of them have coneheads (due to being pushed through the birth canal). Newborns are also highly susceptible to colds and infections and so it’s not a great idea to have them on a crowded television set. I get it. Nevertheless, it drives me bonkers when we are shown a fresh-from-the-womb baby and he is fat and bright-eyed and not at all smushy-faced. Once again, this trope does a disservice to novice parents, who, when handed their fresh-from-the-womb baby, are probably wondering “Why is my kid so ugly?” Friday Night Lights is one of the few TV shows that used a baby resembling a newborn. Gracie Bell Taylor, when she first appeared on screen, was bug-eyed, scrawny, and splotchy. Of course, as she got older, Gracie Bell continued to be bug-eyed, scrawny, and splotchy, so um, at least that kid’s getting some sweet royalty checks!
These were all of the pet peeves I could come up with before # 2 decided to take his signature too-short nap. He is currently offering me big gummy smiles and attempting to poke a slobbery finger in my laptop’s USB port. He is a productivity-disrupting super genius. But, I’d like to know what TV pet peeves you have — particularly the ones that don’t seem to bother anyone but you.
A few months ago I was having a conversation with my brother and made a reference to Survivor, one of the first television programs to merge the conventions of reality television with those of the games how. “You’re STILL watching Survivor?” he asked, clearly incredulous. Though most of my other reality TV affairs have come and gone (America’s Next Top Model, Hell’s Kitchen, The Bachelor), I still find myself tuning into Survivor each season.
The success of so many reality shows today are fueled by our enjoyment of the schadenfreude that comes from knowing that we would most certainly never defecate on the floor in front of a group of people while wearing a formal gown (no matter how badly we had to go) or puke into our hands at the dinner table, the way contestants on the dating shows Flavor of Love and Rock of Love , respectively, have done. That’s because in these and in other shows (Nanny 911, The Real World, Bad Girls Club, to name just a few) the viewer is positioned above the cast member. Producers are banking on our elitism and disdain.
Likewise, shows such as So You Think You Can Dance , Project Runway and Top Chef, position the viewers below the cast members. With these shows we lift our eyes to marvel and envy the innate and cultivated talents of the contestants, knowing that we could never achieve that same level of skill. As one Top Chef contestant, Dale, put it a few seasons ago, “You sit on the couch watching the show and be like [sic] ‘Oh I could do that shit.’ Um, well you know what? Most of you? You can’t. ‘Cause it’s really fucking hard.” Dale may not win a spot on the newest season of America’s Next Top Grammarian but he does make a good point. The average viewer cannot whip up an artful amuse bouche in 5 minutes using only items pillaged from a convenience store. But the great thing about Survivor is that it showcases ordinary people — people just like you and me — pushing themselves to do extraordinary things.
Here are a few other reasons why I tune in season after season:
1. The Man
Jeff Probst is, in my opinion, the best game show host of all time. His detailed play by play commentaries during reward and immunity challenges are always informative and often funny. And during tribal council he has the uncanny ability to ask exactly the questions we were hoping he’d ask. He can put contestants on the spot — by challenging their circuitous logic or by bringing up an issue he knows they do not want to address — and somehow not come off as exploitative or mean-spirited. Probst IS Survivor.
2. The Premise
After 19 seasons, Survivor is still great because it is built on a brilliant premise: take a group of average Americans (with the occasional super-athlete or former member of the military occasionally tossed in) and put them on a desert island for 39 days. Require these people, many of whom have never even been camping, to build their own shelter and forage for their own food (sometimes the show’s producers give them rice and beans to start the game and sometimes they don’t even give them flint to make fire). When the contestants weak from hunger, thirst and lack of sleep, force them to compete in grueling physical challenges. And the amazing thing? Even with all of this to worry about, when their legs are covered in rashes and spider bites and their clothes are brown and brittle, these people still find ways to strategize, strategize, strategize.
3. The Hunger
Watching a video of a malnourished family compete for their dinner would be horrifying and even sickening. But watching people who have chosen to place themselves in extreme living conditions compete for their dinner is completely engrossing. I love watching a prim Southern belle eat grubs from under a rock for “protein” or a large, muscled man make do with a few bites of rice. Nothing will match the joy I felt back in season two when Elisabeth Hasselbeck (then known as Elizabeth Filarski) pulled out a clump of her own hair, a side effect of malnutrition. “She really is starving!” I said to myself with glee. This is sick, I know.
4. The Challenges
The reward and immunity challenges alternate between physical and mental competitions, but they are always difficult and intricate. Contestants have to dig holes and shimmy through them, dive under water to unlock treasure chests, assemble puzzle pieces to build ladders. Even the simplest challenges — such as having contestants perch on top of a tiny ledge to see who can stay there the longest — are endlessly fascinating.
True there have been some weak seasons (Survivor: Palau) and weak premises (breaking down the tribes by race?) but on the whole Survivor remains a consistently satisfying reality TV powerhouse. So while the premiere of Survivor: Samoa was down 22% from last year, I for one will continue to watch.