UPDATE on “Is GLEE Racist/Heterosexist/Ableist?”
Have the writers for Glee been reading this blog? No, of course they haven’t. But I was still very pleased to see that Tina (Jenna Ushkowitz) got her big solo — West Side Story‘s “Tonight” — in last week’s episode, “Preggers.” There was a lot of talk about how Rachel (Lea Michele) has a better voice and really should have the solo, but Tina sang it nonetheless. A small victory for the show’s non-white characters.
And, of course, a lot of the episode was devoted to Kurt (Chris Colfer) and his strained relationship with his heteronormative father. I’m glad Kurt was a featured player and for the most part, I thought his story arc was intelligently rendered. Though, was it really necessary for Kurt to shimmy effeminately before making his game-winning kick? I’m still not sold on the show’s need to turn Kurt into Mr. Roper’s vision of the homosexual in every episode. However, the final scene between Kurt and his father, Burt (Mike O’Malley), when we learn that Kurt’s mother has been dead for many years and that Kurt’s father has always known that he was gay was very moving. I imagined these two men figuring out how to negotiate their complicated relationship in the absence of the mediating mother/wife figure and I did get a little weepy.
One final note about “Preggers”: every time Sandy (Stephen Tobolowsky) appears on screen in a pair of pastel pants and a turtle-stitched belt, I laugh out loud. The show should get a costuming Emmy based on this character alone.