Welcome to the 5th Annual edition of “My Mom’s Oscar Picks.” Please know that my mother takes this interview very seriously and prepares for it every year by seeing as many of the nominated films as possible. She often tries to talk to me about these films right after she’s seen them but I have to cut her off with “Save it for the blog, ma!” Now, at long last, we can finally rip La La Land to shreds. So, without further ado, please enjoy my Mom’s 2017 Oscar Picks.
Mom: So, we’re ready to do my interview. But I have some comments.
Me: You have comments before we start?
Mom: Yes. As you know, I enjoy going to the movies tremendously…
Me: I do know this.
Mom: I read the reviews. I choose the movies I want to see and I pay my money. Sometimes I rent them. So I’m a different kind of reviewer, from the people who don’t have to do any of that…
Me: You’re saying you work for it? Unlike professional film critics who are given special opportunities to see all of the films.
Mom: Exactly. When I go to a film, I take it very seriously. And I must admit, every year the films are getting better, there’s a tremendous variety. That’s the positive note. Now, on a negative note: films have become too long.
Me: I agree!
Mom: I think any film that goes over the 2 hour mark is losing the audience. It is not good.
Me: I could not agree more, mother.
Mom: So that’s my comment. We can begin now.
Me: Great! Once again, I want to thank you for joining me for this interview. And I want you to know that your fans have been very anxious. They were worried that perhaps they missed this post…these are just 2 individuals, by the way…
Mom: [laughs loudly] Two people! That’s not bad…
Me: And I assured your 2 fans that they hadn’t missed the post and that we were doing this interview on Saturday…
Mom: [continues laughing]
Me: So every year I like to start the interview with some self disclosure about which nominees we saw and which nominees we didn’t see. As you said, unlike the professionals, we aren’t provided with screeners. That limits what we are able to see and not see.
Me: I’ll go first. Out of the big categories—Best Picture, Best Actor and Actress, Best Director, etc.—this is what I haven’t seen: Lion, Elle, Jackie, Florence Foster Jenkins, and Nocturnal Animals. These omissions will obviously impact my picks.
Mom: Well, let’s look at Best Picture. I’ve seen every film in that category except Hidden Figures, unfortunately. It has not been On-Demand, you can’t even buy it. I would have gone to see it in the theater, but as you know, I’ve had that awful cold-slash-virus. I just didn’t want to take the chance [of spreading the virus].
Me: And you haven’t seen Elle, right?
Mom: No I did not, and I have a comment about that.
Me: Okay we’ll talk about that…Did you see the Meryl Streep film, Florence Foster Jenkins?
Mom: Ohhhhhh, you can’t miss that! She is…well…
Me: Wait, let’s hold off on talking about acting.
Mom: OK. Go ahead.
Me: This year, instead of starting with what we liked the best, let’s start with what we liked the least out of the Best Picture nominees.
Mom: I do not understand why Arrival was even nominated. It was a “blah” movie.
Mom: I’ve seen better Sci-Tech [Note: She means “scifi”], horror, scary, weird stuff and I’ve liked them all much more than I liked Arrival…You know I had problems just staying and watching it.
Me: I’m with you. I didn’t love it the way so many other people did. It was an interesting story, certainly not a story I’ve seen before. It was beautifully put together—the sound, the cinematography, were all really lovely—but I agree with you that, at times, I had trouble paying attention to it.
Mom: And then when you finally got to the end and realize what it was about? It was just—in my opinion there’s only one word I can think of: silly.
Me: I’m with you.
Mom: I didn’t care for the whole premise of the thing. It was so silly. I’ve seen better stuff in Star Wars! They were up in that thing, and they go up there, and the arm comes out. I think people who like unusual, not-enjoyable films will like it.
Me: What else didn’t you like out of the Best Picture nominees?
Mom: La La Land.
Me: Oh good, can we get started on La La Land?
Mom: So I certainly wouldn’t say “Don’t go see it.” It was interesting and lovely to watch. The best part of the film was the male lead [Ryan Gosling] because he looked fabulous in his clothes.
Me: He does, Mommy!
Mom: And she [Emma Stone]…was inconsequential.
Me: I’m very confused as to why this movie has so many nominations.
Mom: Me too.
Me: There are two possible explanations. First, Academy voters love stories about Hollywood. They go crazy for movies like this. It’s very nostalgic for old Hollywood. I think the other reason is that we haven’t had a lot of musicals recently and people have forgotten what a musical is supposed to be like. This was not a musical. This was a movie where sometimes the actors would sing and dance.
Mom: I don’t know what the justification was. The best part of the film was Ryan Gosling’s clothes and how he looked in them. It was fascinating to watch, I understand, that the two of them were never really dancers or singers. Is that true?
Me: Ryan Gosling, when he was a child, was a singer and dancer. He did the Mickey Mouse Club.
Me: But it’s not his thing and I think it showed. I think their dancing was very perfunctory. If I’m gonna watch a musical, I want to see beautiful dancing. I want it to look natural. I don’t want to be thinking, as I’m watching, “I wonder how long it took Ryan Gosling to learn this dance?” You don’t think that when you watch Fred Astaire dance. You don’t wonder about how hard Fred Astaire trained.
Mom: Not even close. Ginger Rogers, Fred Astaire…The one scene in La La Land that I will almost consider watching again, the one scene that was phenomenal in the whole film, was the opening scene.
Me: On the bridge? Yes.
Mom: I learned later that that take took two whole days to film. They shut down that freeway. Can you believe that? Can you imagine the people who had to use that?
Me: Yeah I thought the opening number was pretty good. It was a true musical opening: you have the characters hanging out and then all of a sudden they start singing about whats going on, there are all these different people joining in and its very natural. It was a great opening and the film never got back there.
Mom: What was different about that, compared to something from years ago, is that they shot it right there on the bridge. It wasn’t “Make a bridge and then we’re going to film this.” I thought that was fascinating and it’s the best thing I can say about La La Land.
Me: I think we’re in agreement. Lets move on from that. What else didn’t you like?
Mom: I was not impressed at all with Hell or High Water.
Me: I really liked that!
Mom: I didn’t care for it.
Me: I don’t think it was one of the Best Pictures of the year.
Mom: That’s what I mean. I decided to watch it because it was finally available to rent. This is not something I would go to see in the theater. Another nominated movie is Hacksaw Ridge.
Me: I hated that movie.
Mom: If you’re into realism and war movies, then it was phenomenal.
Mom: Ohhh! Yes.
Me: Mom, I whole-heartedly disagree.
Mom: That’s the way it is.
Me: Hacksaw Ridge was my least favorite out of all the Best Picture nominees.
Mom: Oh I know. I’m not saying it was a favorite. I was surprised that I didn’t have a positive feeling about it. But I started thinking about what it is [Mel Gibson] was trying to do.
Me: The story itself—its based on a true story—is fascinating. There’s this man [Desmond Doss] who saves 75 men during single battle. That’s amazing. Having said that, I found the whole film to be very hokey. I thought it was disjointed. There were portions of the movie that were funny, that were out of place, like Vince Vaughan cracking jokes, I thought that was weird. And I thought [Gibson] got way too grisly. I mean, I like gore…
Mom: I do too…
Me: But I thought he reveled in those dead bodies in a way that I don’t think war films should do. It was almost pornographic. You’d see the rats eating the faces of the dead soldiers. It was too much.
Mom: He was trying to show, as realistically as possible, the way that…
Me: [interrupts] But we know! We all know war is horrible!
Mom: If you will recall, you had a lot of criticism about a film I happened to like very very much…
Me: American Sniper?
Me: I didn’t like American Sniper but it was a better movie than Hacksaw Ridge!
Mom: You felt American Sniper glamorized war and this film [starts laughing] did not glamorize war.
Me: No, it did not. But it was just so gory. And it wasn’t necessary because we all know war is hell. [Note: I read All Quiet on the Western Front in my 7th grade English class]
Mom: Maybe this is another criticism: I don’t think [the Academy] should worry about nominating a certain number of films every year. I think they struggled this year.
Me: I agree!
Mom: Arrival should have never been nominated, you hated Hacksaw Ridge…
Me: Right. Why don’t we transition to what we did like?
Mom: I’m going to tell you the one I think should win and then I’m going to tell you the one that I think probably will win.
Mom: The one I think should win is Lion. I thought Lion had everything—where it was filmed, the emotion of the child, the filming of it, incredible! And I’m pretty sure it was filmed somewhere in India. [Note: Nana is correct. Principal photography for Lion was shot in Kolkata, India]. And of course the acting was phenomenal. Dev Patel was just amazing. But the movie that will win? Fences. Because Fences is an August Wilson play, and he’s a superb writer. I’ve seen this play on Open Stage here [in Harrisburg, PA]. It’s always been memorable and of course when you add Denzel Washington and Viola Davis..
Me: They were great.
Mom: Yes. But if I were voting as a [member of the Academy]…
Me: And that’s what I’m asking for here, for the film you liked the best…
Mom: Then it’s Lion.
Me: So this is unfortunate, mom, because both of our Best Picture picks are the one nominee that the other hasn’t seen.
Me: Because my Best Picture pick is Hidden Figures, and I will tell you why. For me, the Best Picture has to hit every note. It has to be well-made, well-acted, it has to have a good script, the story has to be interesting and important. And what I liked about this film is that it told a remarkable story. When I watched this movie I couldn’t believe that I had never heard about these women working at NASA in the 1960s. How did we not know that these women were so important?
Mom: How did that happen?
[Note: How did this happen? The answer is, of course, racism]
Me: So that’s one reason I loved it. The other reason is that the story is told well. The women in the movie are incredibly charming—I don’t think any of them deserve acting an award because no one performance stood out to me. Best Picture winners tend to be inspiring, profound. For me, the movie that I came out of the theater and felt really great about, is Hidden Figures.
Mom: That’s how I felt about Lion. But I am going to see Hidden Figures next week.
Me: You should. And I’m going to see Lion. Let’s move on and talk about two other movies we haven’t talked about much, but that we both liked. The first is Manchester by the Sea.
Mom: Oh yeah.
Me: You liked it, but its not your pick.
Mom: No. Lion, especially, is better. Casey Affleck is not going to get Best Actor. In the beginning [of Awards season], there was a lot of publicity and hype. But it’s never gonna happen this year because, guaranteed, there will be a black actor chosen for Best Actor. I’ll wager you five dollars.
Me: Are you saying that because you think [Denzel Washington] doesn’t deserve it and he’s just going to win because he’s black?
Mom: Well last year, all that hype [she is referring to the 2016 “Oscars So White” campaign] was unwarranted.
Me: It was warranted.
Mom: The only black actor who wasn’t nominated last year but should have been was the guy who was in the Grateful Dead.
Mom: He was a supporting actor in the Grateful Dead.
Me: The Grateful Dead? The band?
Mom: Oh wait, I mean, The Hateful Eight.
Me: Jesus Christ, mom.
Me: That was Samuel L. Jackson. But I do disagree with you here, mom. Every year, not just last year, the films with the most hype generally have all white casts and directors. So we’re going to have to agree to disagree. But my question to you was about Manchester by the Sea and what you thought of it.
Mom: I enjoyed it. I don’t know that I enjoyed it as much as my friends did. It was a very dark movie.
Me: It was!
Mom: You know I love violence, like Quentin Tarantino violence, but I don’t love realistic violence, like children dying in fires. I get very very upset with stuff like that.
Me: I agree with you on Manchester by the Sea. It was very well done but it was a tough movie to watch. I saw it as part of a double feature with Fences…
Me: I cried—and I’m not exaggerating here—from the halfway point in the film, where we find out what’s happened to the children—until the final frame, I sobbed like a baby. But I did enjoy it. It deserves a Best Picture nomination. I especially like that the story ends—not with Affleck’s character being redeemed and fixed, but with him still broken. He’s just going to live his life.
Mom: It was realistic.
Me: It was so realistic, and I appreciated that. So, good for them. Now let’s talk about Moonlight. Again, I thought this was a beautifully done film, it was a story you don’t hear very often—love stories involving black gay men—it’s not a story that is told by mainstream cinema. I appreciated that. It wasn’t my favorite movie of the year, but I really did like it.
Mom: Oh it was just wonderful. It was my second favorite of the year, after Lion. That was so well done. I’ve never seen a film where 3 different actors play one role, plus the mother of the boy [Naomie Harris]. She starts out at the beginning as a normal nurse’s aid, and then you see her in the 2nd part, when she gets down into drugs, and then the 3rd part, where she’s older and in that rehab center. She was phenomenal. That’s gonna be a tough one for me to call.
Me: I’m with you. My pick for Best Picture is Hidden Figures, but if I had to pick a second, it would be Moonlight or Manchester by the Sea.
Mom: Oh Moonlight! It was so different! That’s one where you put a star on top for being an unusual film. It was so creative. I don’t know how much is grossed…
Me: Neither do I.
Mom: But it was one of the best.
Me: There we are in agreement. Let’s get into the acting awards. I think it’s gonna come down to two people: Casey Affleck for Manchester by the Sea and Denzel Washington for Fences.
Mom: And it better not be Ryan Gosling.
Me: I agree. Because I saw Fences and Manchester by the Sea on the same night, I could really compare those two performances. I gotta say, for me, it’s a draw. Both actors gave superb performances and they were very different roles. One was a big, loud man who is always telling stories and is full of bluster [Fences]. The other is this quiet, withdrawn role [Manchester by the Sea]. But I loved both. Who is your pick for Best Actor? Are you just gonna say Dev Patel and bypass the whole system?
Mom: No. Denzel is going to win.
Me: But who do you think did a better job: Casey or Denzel?
Mom: [long pause] They were such different roles. But Denzel showed deep remorse and sadness in his performance, but he also showed how you could be upbeat, to laugh and enjoy a marriage. Casey Affleck was just morose. I’m trying to remember: was there any point when he laughed?
Me: In the flashbacks with the wife and kids.
Mom: I have to give it to Denzel this year.
Me: What about Best Actress? Here I have to confess that I’m very ill-equipped for this category, because I have not seen 3 out of 5 performances.
Mom: I saw all of them but Elle.
Me: My pick is Ruth Negga from Loving. In fact this is a movie that should have been nominated for Best Picture over La La Land and Hacksaw Ridge.
Mom: I didn’t see Elle, so I’m going to say that one.
Me: Tell me why Ruth Negga doesn’t deserve it.
Mom: I just wasn’t moved by her performance.
Me: Didn’t you see her as this quiet Southern girl who is in love and then finds herself at the center of this history-making Civil Rights case? I can’t believe the man who played her husband [Joel Edgerton] wasn’t nominated. He was great, too.
Mom: I kept falling asleep. I watched it when I still wasn’t feeling that well.
Me: I was really moved by the film. Her performance was quiet and subtle, but very moving.
Mom: Well, I’m gonna take a stab at something—its never gonna happen—but you really must see Florence Foster Jenkins…Meryl Streep is a genius. There isn’t another actor out there, male or female, who compares. [The Academy] at least nominated her, which she deserves.
Me: But she won’t win. She’s won too many times. She has enough Oscars. They need to just retire her from the Oscars. She can still be in movies, but no more Oscars. It’s not fair. So you’re saying your pick is Meryl Streep?
Mom: No, my pick is Isabelle Huppert in Elle.
Me: Even though it’s the one film you didn’t see?
Me: Okay! Moving on to Best Actor in a Supporting Role.
Mom: This is a tough one. It’s between Mahershala Ali in Moonlight, and of course, Dev Patel. I’m going with Dev Patel because his performance blew me away.
Me: I’m going to totally blow your mind and go with Lucas Hedges from Manchester by the Sea. The whole time I’m watching the movie I’m asking myself “Who is this kid? Where did he come from?” He was perfect. How about Supporting Actress?
Mom: This is another tough one. Let me tell you who should win: Naomie Harris. I felt furious with her character, but I also felt sympathy for her. But I think Viola Davis will win.
Me: My pick is Viola Davis. I feel like I’ve seen the Naomie Harris character before: the drug-addicted single mom looking for redemption, etc. But Viola Davis’ character was new to me: a late in life marriage to a man she loves but also disagrees with a lot. And maybe it had something to do with the way it was filmed: it really showcased her acting.
Mom: She’s great in anything she’s in.
Me: We’ve covered the major categories but I do have a follow up question for you: are you disappointed that Leonardo Dicaprio wasn’t nominated for anything this year?
Mom: Well, I don’t think he was in anything this year.
Me: That doesn’t matter.
Me: Any final thoughts?
Mom: I’ve enjoyed watching the films. It gets even more interesting with your chosen field [film professor] because we can have pretty good discussions about this. It’s a joy.
My Mom’s other 2017 Oscar picks:
Cinematography: La La Land
Costume Design: Florence Foster Jenkins
OG Bae of All Time: Leonardo Dicaprio
If you’d like to read my Mom’s previous Oscar Picks, click:
As some visitors to this blog may already know, I curate a true story blog over at tellusastoryblog.com. For our first three years of existence, we aimed to publish one new true story every Wednesday (we took summers and holidays off). But we found that model to be unsustainable so we have just switched to a quarterly format, which we are very excited about! We also redesigned the look and functionality of our site.
Tell Us A Story is proud to announce the publication of our first ever quarterly edition of Tell Us A Story, featuring the best work submitted to us over the last few months. Give it a read and a share! Click here to read volume 4, issue 1.
Look for our next issue in Fall 2016!
I am super pleased to have this piece published over at The Chronicle of Higher Education on the need for well-researched pop culture writing. Yes, even in thinkpieces. Also pleased to have co-authored this with my dear pal, Kristen Warner, who is a big smartypants.
Read, enjoy, make snarky comments about how this article means we are elitists [shrugs]:
Click here to read.
Dearest readers, please forgive my lengthy absence from the blog. There are many causes for this: I’ve been freelancing more, I’ve been working on my next book project, and perhaps, most significantly, I have come to conclusion that blogging is not going to get me a raise at work or pay for my kids to go to college. In fact, as I recently argued in an essay for Film Criticism , I believe that the academic film blog as a concept is dead or dying.
But don’t start the dirge for Judgmental Observer just yet. I still have things to say that can only be said in the loose, informal, ad-free space of the blog, such as my mom’s annual Oscar Picks! If you’d like to catch up on my mother’s picks in previous years, you can see 2012, 2014 and 2015. As for the rest of you, let’s get started, shall we?
Me: Welcome back to the blog, Mom! It’s been a year since we heard from you, and your fans eagerly await your picks. Are you ready to discuss the 80th Annual Academy Awards?
Mom: Oh I can’t wait!
Me: As always, in the interest of full disclosure, I’d like for you to tell the readers which of the nominated films you were not able to see. Let me give you my list: Bridge of Spies, Brooklyn, 45 Years, Trumbo, or Steve Jobs.
Mom: Unfortunately, I did not see: Brooklyn, Room, Carol, 45 Years, Joy, or Trumbo.
Me: Let’s start our discussion with the Best Actress in a leading role category. What were your favorite performances of the 2015 season?
Mom: I really don’t have an opinion one way or another because I wasn’t able to see any of these performances.
Me: That’s so unlike you! Well, I’ve seen three of the five nominees (Carol, Room and Joy) and I thought all of the women whose performances I saw were great. So Joy was one of my least favorite films of the year. Normally I’m a big fan of David O. Russell but I found her casting in this film–as a down-on-her-luck single, 34-year-old, working mother–to be completely absurd. Jennifer Lawrence is a great actress but no amount of acting will make that young, fresh-out-of-the-womb face look 34 and tired. I thought Brie Larson was excellent in Room but for me, the young actor who plays her son, Jacob Tremblay, stole the show. So my pick for Best Actress is Cate Blanchett in Carol. I didn’t enjoy her performance on an emotional level–I found it icy and severe–but it worked in the context of this film as a stylized melodrama. There are also so few great roles for women, it’s always hard to pick “best” performances.
Me: So let’s move on to the category I know you’ve really been looking forward to discussing: Best Actor in a leading role.
Mom: The actor who should win the Oscar…is without question… [takes dramatic pause] WITH…OUT…QUESTION…
Me: Who? Who are you gonna pick? I’m on the edge of my seat…
Mom: …Leonardo DiCaprio! For his role in The Revenant. Now I will tell you why. I was blown away. It was a phenomenal film, and his acting in the film, and what he went through…
Me: But what did he do, exactly?
Mom: To portray someone living in the beginning of our country, going through horrific weather and violence between his own people, hunting for skins and hiding from the Indians–his portrayal of this man was just amazing. But not only that, he also gave you the feeling of getting to know what someone in that situation would go through. It was much more than surviving the violence. It was also learning about a man who wanted to move on to a better place. And he truly loved his son…
Me: Okay but you’re not telling me about Leo’s performance. You’re just describing the plot of the film.
Mom: He just came through as someone who survived the worst conditions. I found it fascinating that Leonardo DiCaprio performed just about every scene himself. Evidently the temperature was 20 below zero. It was a horrific situation for everyone involved in the film and the director just pushed them through it, which was worth it. In my opinion, this was the best film of the year.
Me: Hold on, let me chime in here even though I am woefully underprepared for this category–the only performances I saw were Damon’s and DiCaprio’s. I thought Matt Damon was fine in The Martian but nothing special. Honestly I’m a little shocked that he was nominated at all for this role. As for DiCaprio, I agree with you, it was a great performance. I will say this though–and I’m not trying to be cynical–but a lot of the role felt to me like it was screaming “Nominate me for an Oscar!!!” And I feel like sometimes actors will take on these roles and then make a big fuss in interviews over all they had to go through to prepare, all the suffering, and I’m kind of over that. I don’t care what you had to do to play the role. I just care about what appears onscreen. Having said that, I do think Leo deserves to have an Oscar on his shelf and I do think he will win this year, perhaps as an acknowledgment of his past body of work.
Mom: I see what you’re saying, but his performance was incredible. No matter how much people might say that he took on a role to show how tough it was and how he can do all of this stuff, I just don’t think that’s true. DiCaprio, no matter what role he takes, he is so brilliant. Every film he’s been in, and every time he’s been nominated, I feel like he should have won.
Me: I think we need to establish for our readers, that you do in fact have a Leonardo DiCaprio bias. I think you heavily favor him anytime he’s in a film. Why do you think that is?
Mom: The first role I ever saw him in was The Aviator, then Catch Me if You Can, then Blood Diamonds…
Me: You really liked him in J Edgar.
Mom: That’s another one! I cannot believe he did not win for that role…I mean, talk about a difficult role.
Me: Here is something you have said to me in the past: “Leonardo DiCaprio is penalized by the Academy for being a good-looking man.” Can you say more about that?
Mom: Absolutely. I still believe that and it’s been part of the Academy’s nomination process for a long time.
Me: Why do you say that?
Mom: Two absolutely gorgeous men–Paul Newman and Robert Redford–have been nominated many times. And Newman won once [editors note: Newman received an honorary Oscar for his body of work in 1986]. Redford, another incredible actor, has never won [editor’s note: Redford won an Oscar for Best Director in 1980 for Ordinary People]. I think the Academy is absolutely biased against handsome men.
Me: That theory is insane, Mom. Plenty of handsome men have won Oscars!
Mom: I’m talking model-looking, gorgeous men. There have been very many nice-looking men who have won. I just feel it’s a bias. When you’re that good-looking, they just look at you as a pretty boy actor. But that’s not done with women. Just with men.
Me: Last year you threatened to quit my blog if JK Simmons didn’t win Best Supporting Actor for Whiplash:
Mom: [laughing] Yes I said that.
Me: And luckily for my readers, Simmons did, in fact, win the Oscar.
Mom: Of course he did.
Me: Are you prepared to never appear on this blog again if Leonardo DiCaprio doesn’t win Best Actor for The Revenant?
Mom: AB. SO. LUTELY.
Me: Really? You’re willing to give up all this?
Mom: Yes. I’m sorry. I must. If he does not win this year for Revenant, I’m done.
Me: Okay. Before we leave this very contentious category, I would like to talk about a performance I thought was snubbed by the Academy this year: Steve Carrell’s performance in The Big Short. I thought he was absolutely fantastic in that movie. There were a lot of characters in that film and a lot of visual tricks–it was a very “busy” movie–and he was the emotional heart of that film. He took what was a very reflexive and theoretical film and he expressed the human toll of the short selling phenomenon. And by the same turn, I was frustrated that out of that entire cast it was Christian Bale who got the Oscar nomination. This brings me back to my earlier complaint regarding Leo: I just hate how performance gets wrapped up in process. We all know that Christian Bale learned how to play the drums for his role as Michael Burry. And he didn’t even need to learn how to drum! There was no point to that stupid scene where he drums–the movie would have been the same with or without it. He just wanted to make a big fuss about his process. Then he gets a nomination and Steve Carrell doesn’t.
Me: Let’s talk about our picks for Best Supporting Actor. Out of all of these performances–and of course I can’t speak about the Bridge of Spies actor–I’m gonna have to go with Tom Hardy. I thought he was great in that movie. He’s a gorgeous man who you want to stare out but he made himself into such an ugly person in this film–not just physically, but his overall character. He was just so despicable you almost had to look away from him, which is hard because, holy cow, it’s Tom Hardy! I did like Mark Ruffalo in Spotlight but that was a more understated role.
Mom: I agree with about Christian Bale. He should not have been the nominee from The Big Short. As for Tom Hardy, I just thought he was so overshadowed by Leo in that film. I can’t even remember a lot that he did…
Me: He was the antagonist! He had the second biggest role in the film!
Mom: I just didn’t think it was that impressive…
Me: Wow you ride hard for Leo.
Mom: Mark Ruffalo in Spotlight was phenomenal. I’m glad he was nominated. And Mark Rylance in Bridge of Spies was so low key and brilliant. I’ve never seen him before, I don’t know who he is. But throughout the film I just kept thinking “This guy! He’s got it down.” But then I did see Creed and the way Sylvester Stallone portrayed the old boxer trying to help the young boxer, the way he moved his body, his whole persona, I just thought he was terrific.
Me: Was he really terrific, Mom?
Me: Wasn’t he just a big dumb guy?
Mom: When you see Stallone you expect to see him in the role of a warrior, of a fighter who wins. But in this film he’s a down and out ex-hero and I thought he added a lot of passion to that film.
Me: Let me bring up another role I felt was snubbed this year and that is Oscar Issac’s performance in Ex Machina. It was an amazing movie and his performance as this sleazy tech bro–young, thinks he’s hot shit–was great. He was the puppet master for most of the movie, until he isn’t, and he plays the role very cool and hard to read, yet there’s this vulnerability there too. That was my favorite supporting actor performance of the year. Also, that jumpsuit!
Me: Let’s talk about our pics for Best Picture. What was your favorite film of 2015?
Mom: The Revenant.
Mom: There was so much involved in that film. The one thing I remember while watching it was the beauty of the photography. It was a joy to watch. The realism of the violence, and what the characters endured, their lives were so tough… I just thought it was a beautiful film. No other film from 2015 had such a dramatic effect on me.
Me: I agree with you. The cinematography was unreal. Iñárritu is famous for those amazing long takes he uses that last for minutes. The film is filled with those gorgeous landscapes. But for me my Best Picture selection is The Big Short. First, it’s incredibly timely–it’s talking about the subprime mortgage crisis, which America is still reeling from right now, and which literally impacted everyone in the world. To make a movie where your topic is sort of dry and dull and you make it compelling to a mainstream audience, to non-experts, is so important. I mean, that’s how we got into this crisis in the first place–people being uninformed. As a society, Americans (I include myself here) don’t know much about how Wall Street or the stock market works. The economic recession was the direct result of a few people who had specialized knowledge and who took advantage of loopholes that no one else knew about. I appreciate a movie that illuminates that to the audience. In addition to that, it was a really innovative film. I love how they illustrated difficult concepts like “synthetic CDO” with Selena Gomez and an economist playing craps. And of course the performances were great, as was the script. For me, The Big Short hits all my Best Picture marks.
Mom: Well my second choice is Spotlight. This was a film highlighting one of the greatest tragedies in this country.
Me: I just watched Spotlight and I did find the story to be equally compelling and horrifying. This crazy conspiracy! It highlights how important good journalism is to justice and truth in this country. In many ways it reminded me of All the President’s Men. But overall I wanted a little more from that movie.
Mom: You kept hearing it was wonderful and then you watched it and it let you down.
Me: Yes that’s true.
Mom: That’s the problem. It’s best to see movies cold, before you hear the reviews. Now one film I am very sad to see with a nomination for Best Picture is Mad Max: Fury Road. It was absolutely horrible…
Me: Whoah, whoah. I am delighted that film was nominated. In fact, that film is my second choice for Best Picture…
Mom: [horrified noises] If you like a film that is nothing more than looking at filthy, dirty men with blood coming out of their mouths, and their bodies torn apart…
Me: It sounds like you’re describing Revenant, you realize that?
Mom: …and there’s this stupid guy, playing the guitar…
Me: Yes, see that’s what was missing from The Revenant! We needed a bear playing a flaming guitar!
Mom: Now that’s not fair. Mad Max was absolutely disgusting.
Me: How can you praise The Revenant and the Hateful 8 for their violence but critique Mad Max for its violence?
Mom: Mad Max made The Revenant and The Hateful 8 look like a fairytale.
Me: WHAT?! What is the difference?
Mom: There’s a huge difference! The violence in Mad Max is pretend and it’s over-the-top. I mean one character in Mad Max captures this guy and straps him to the front of his car so he can drain the blood out of him. [shakes her head in disgust]
Me: Well I loved Mad Max…
Mom: LOVED IT???
Me: They took this character who is the star of this franchise, this hero, Mad Max and they put him in the film with the words “Mad Max” in the title. So you’re going into this movie assuming Mad Max is the center of the story, the hero of the narrative. The movie starts with him…
Mom: …eating a live lizard…
Me: …and then he is literally pushed aside so that we have these female heroes instead. And it’s one-armed Charlize Theron? Come on, that was awesome. It was a feminist action film. I mean, if you’re going to praise a movie like Revenant for its intense and realistic depiction of violence, why critique Mad Max for that?
Mom: First of all, The Revenant was about American history. Mad Max is nothing but horrific people rolling through a desert
Me: I see no difference there. Revenant was nothing but horrific people rolling through the woods.
Mom: You’re insane.
Me: Okay, let’s discuss The Martian.
Mom: I really enjoyed it.
Me: Me too.
Maisy [my 9yo daughter]: Can I say something about The Martian? I thought it was awesome! It was so cool.
Me: Yes, that’s why I liked it. It was such a great family movie. I wish there were more movies like that for the whole family to go to.
Mom: It was a very pleasurable movie. I learned about how an astronaut could grow plants in space!
Me: Okay, any final thoughts, Mom?
Mom: Yes, one person who I felt really deserved an Oscar nomination was Samuel L. Jackson in The Hateful 8. He was just great in that film. I can’t believe he wasn’t nominated.
Me: Well, Mom, as always, it was a real pleasure talking to you about the Oscars.
Mom: Thanks for having me!
Editor’s note: I received this email from my mom today:
There you have it, folks. We’ll be back again in a year to discuss the 2016 nominees, that is unless Leonardo DiCaprio loses the Oscar. Then I’ll be on the search for another mom who wants to talk movies with me. Keep an eye out just in case, won’t you?
I know. I know. I haven’t written anything here in many months. But here’s the thing: work is busy. Also, no one pays me to write for this blog.
But you know who does pay me to write? The New Yorker. God bless them.
Here is my latest essay tied to my larger project on MTV and youth identities, “Thirty Seasons of The Real World.” Please read and share so maybe I can make more money writing and then can write some shit for free for you fine folks.
Click here to read the full piece.
My dear blog, I truly apologize for my long absence. The summer is filled with family trips and preparations for fall courses and now the fall is here and I am busy with back-to-school meetings and student queries and the endless forms parents must fill out for their kids during the first weeks of school.
But I wanted to pop in to share some most excellent news–that a portion of my book project on MTV’s scripted identity cycle is currently live on The New Yorker. Yes, The New Yorker. They paid me and everything, because those folks are civilized. And as I’ve been published on the online version of The New Yorker (life goals: to get published in the print version), you all can read it for free!
Click here to enjoy.
Did you know that Clueless was released 20 years ago? That’s the year I graduated from high school and the year, I think, Gen X was pushed out of the cinematic spotlight. I wrote about this for Salon:
“In an early scene in “Clueless,” a close-up reveals the sagging waistbands of a pack of young, SoCal teens, all loping to class in the signature Generation X uniform of baggy jeans, exposed boxer shorts and wallet chains as World Party’s cover of Mott the Hoople’s “All the Young Dudes” blares on the soundtrack. Then Cher Horowitz’s (Alicia Silverstone) chipper, California Girl uptalk—surely the vocal fry of the 1990s—cuts through the straining authenticity practiced by the pack:
Here, with a single toss of her healthy blond coiffure, Cher, the “Clueless” protagonist and moral center of Amy Heckerling’s 1995 adaptation of Jane Austen’s “Emma,” dismisses the entire ethos of Generation X. As Jeffrey Sconce explains: “X’ers have long been regarded as the most cynical, detached and ironic of population clusters. Boomers, the logic goes, got all the good jobs and prime real estate, while Gen Y (aka, “the Millennials”) got a renewed sense of earnestness, enthusiasm, and optimism. X marks the spot in between—those pissed off at baby-boomers for their narcissistic entitlement and pissed off at the Millennials for not being more pissed off.”
Read the rest here.