Window Dressing: Spectacular Costuming in MTV’s THE CITY
I was just getting back into the blogging habit after my end of the semester/holiday sabbatical when, wouldn’t you know it, I gave birth. Right now my days are consumed with feedings, diaper changes, multiple loads of laundry and assuring the 3-year-old that despite all evidence to the contrary, she is still the center of the universe. Blogging is currently not a possibility.
However, I did finish up an article in early January which has just been published at Flow TV , the online journal of television and media studies. So this makes me feel like I’m still blogging even though all I’m doing is wiping poop off of my pet human’s rear end, which is more delightful than it sounds, I assure you. So until I am able to resume a more regular blogging schedule (i.e., when the pet human agrees to sleep for than 1 to 2 hours at a stretch), all I have to offer you is this article on MTV’s The City, “Window Dressing: Spectacular Costuming in MTV’s The City.“ Please feel free to leave a comment in the comment section and get some dialogue going. Also, big shout out to Devan Goldstein, who came up with the title for this piece. Thanks Devan!
I should add that the current issue of FlowTV is filled with lots of interesting articles — while you’re there, check ’em out!
BET’s BALDWIN HILLS: Injecting Race and Class into the Projective Drama
For those of you who are regular readers of this blog (hi Mom!), you may have noticed that my posting has dropped somewhat over the last few weeks. This is due to the mid-semester crunch as well as some other writing deadlines I had to meet.
One of these deadlines was for the wonderful site Flow TV, “a critical forum on television and media culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where the public can discuss the changing landscape of contemporary media.”
If you’d like to read my article on BET’s reality show, Baldwin Hills, it went live today and can be accessed through the link below:
BET’s Baldwin Hills: Injecting Race and Class into the Projective Drama